Following the Trail of Wilder

No so long ago, I found myself making another trip along U.S. Highway 14, this time from Pierre—pronounced “peer”—to Brookings in eastern South Dakota. As I drove, my thoughts meandered between summer road-trip plans and contemplation of the railroad tracks running alongside me. For those of you who don’t know, Highway 14 follows the very railroad line, the old Dakota Central Railway of the Chicago & North Western, that brought Charles Ingalls and his family to Dakota Territory. As I raced trains past Huron, the few remaining buildings of Manchester, and on through De Smet, my thoughts focused on how different distances are now in comparison to the 1800s.

Pierre to Brookings

The famous frontier family traveled thousands of miles by wagon, as well, and as readers of the Little House novels and Pioneer Girl know, it could take days, even weeks, to get from one place to another, depending on the weather and the condition of the “road,” or what we would call a trail today. And, with wagon travel not being especially popular in 2015, it can be hard for a modern audience to fathom the time and effort it took to travel among the homesteads, geographical landmarks, and towns that Wilder mentions in her original manuscript. With the advent of first the railroad and then the car, places have become much closer than they were, figuratively speaking.

That is why one of my favorite things about Pioneer Girl: The Annotated Autobiography is the eight maps created for various sections in the book. Taken together, they give contemporary readers a better perspective on the scope of the Ingallses’ journey. Along with several historical maps reproduced in the book, they help me begin to visualize just how big the “Big Woods” were, where New Ulm is situated in relation to Walnut Grove, MN Mapand how close the Loftus store was to “Residence C. P. Ingalls, Justice of the Peace” in De Smet.

As detailed in our blog post from 2012, these maps did not simply appear on our desks one day. Since we did not have Laura Ingalls Wilder there to help with the finer points, Pioneer Girl Project editor Jeanne Ode dived into Wilder’s manuscript and waded through historical maps from archives throughout the region to give readers a clearer picture of the Ingallses’ now-famous voyage. The map-making journey, like the family’s sojourn, was “filled with twists, turns, and the occasional dead end,” Ode says. Determining locations from sources that sometimes conflicted and creating preliminary sketches to guide the illustrator who created the final, well-designed versions was not always a walk in the park. As readers will discover, though, the trip was worth the trouble. As for me, the drive down Highway 14 now has a bit of extra meaning.

Jennifer McIntyre

All in a Cover

“Don’t judge a book by its cover” is a phrase that librarians, parents, and others caution young readers with. I’ve always taken issue with that phrase because, for me, the cover is an introduction to what I will be reading, a reminder of the world I will be jumping into every time I turn a page. Thus, from my point of view, the cover is an important part of the reading process, and a degree of judgment seems only natural. A good cover draws readers into the story before they have even cracked the spine. PG cover 72dpi 220px

The goal of the publisher is to create a cover that both attracts readers and provides a window into what the book contains. Some artistic license may be involved in conveying the essence of what readers can expect to experience. Even though there is a photograph of Laura Ingalls with her hair loose down her back, when we released the cover image for Pioneer Girl: The Annotated Autobiography, a “hair controversy” ensued. In general, some readers claimed, the real Laura Ingalls would have worn her hair up, but when I look at the artist’s rendition on the cover of Pioneer Girl: The Annotated Autobiography, I am immediately transported to the wind-swept West and the beginnings of an American writer’s journey.

The cover does a great job of what it should do: catch the reader’s eye and engage the reader’s mind. As Nancy Aguilera wrote on this website, “I imagine Laura walking away . . . with her bonnet on and hair braided, under Ma’s watchful eyes, and then as soon as she’s out of sight she takes off her bonnet and shakes out her hair, enjoying the feel of theCover- By the Shores of Silver Lake warm prairie breezes blowing through her beautiful thick hair while she sits gazing at Silver Lake.” According to an Amazon reviewer, “The cover is beautiful, and not only does it look so much like teenage Laura, it also fits really well with the Garth Williams illustrations we are all familiar with.”

Deb Hosey White, in her blog on Goodreads, goes further: “If ever there was a book that felt special when I first held it in my hands and began turning the pages, this is the book.” The reader’s experience should begin from the moment they see and pick up the book, and that is what the Pioneer Girl Project production team aimed to do in creating this cover and the book it encloses. Based on the overwhelmingly positive comments and industry reviews, I would say they have succeeded. The New York Times Book Review even featured the cover along with their best sellers lists in the Sunday, April 12, print edition.NYTimes 4-12-15-1

Pioneer Girl: The Annotated Autobiography is a scholarly book (in fact, it has been called the encyclopedia on all things Wilder), but it is also the story of a woman’s childhood and adolescent experiences, and the watercolor painting by artist Judy Thompson illustrates this combination wonderfully well.

Jennifer McIntyre

“Not-So-Little Sales on the Prairie”: Pioneer Girl is still available; More Books to Come

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The week-to-week unit sales of Pioneer Girl: The Annotated Autobiography are analyzed by Publishers Weekly.

Now in its fourth week on the New York Times Best Sellers list, Pioneer Girl: The Annotated Autobiography by Laura Ingalls Wilder, edited by Pamela Smith Hill, continues to defy expectations. As the industry news source, Publishers Weekly, stated in its story “Not-So-Little Sales on the Prairie,” on March 30, transactions numbered close to 40,000 out of the 75,000 units printed, and the book remains on top-selling lists throughout the nation.

Moreover, bookstores report that this popular item continues to drive people to their stores. The customers who especially appreciate Pioneer Girl: The Annotated Autobiography?—those who prefer the physical book. “It’s this huge beautiful book, and it’s so much fun to spend time with and to hold,” said Sundance Books and Music employee Stephanie Lauer to Reno News & Review reporter D. Brian Burghart earlier this month. Never staying out of the limelight for long, the book appears in news articles weekly, links to which can be found on the Pioneer Girl Project Media Coverage page.

Copies of Pioneer Girl: The Annotated Autobiography from the third printing continue to be available to individuals through the South Dakota Historical Society Press, as well as at retail locations throughout the United States. Distributors, online book sellers, and book stores will receive more books from a fourth and a fifth print run, totaling 50,000 copies, that will be shipped at the end of April and beginning of May.

Jennifer McIntyre

Follow the Breadcrumbs, Find Missouri

The Pioneer Girl Project is always on the lookout for new information, and sometimes, thanks to the courtesy of readers like you, it just turns up out of the blue—or in this case, out of Minnesota. Here’s the story as Project staff experienced it.

During their second stay in Minnesota, the Ingallses were neighbors of Mr. and Mrs. Pool and their grown daughter, Missouri, who kept house for her parents. In Pioneer Girl: The Annotated Autobiography, Laura Ingalls Wilder remembers Missouri’s wonderful garden full of beautiful flowers and how she would smoke “a very small, white clay pipe” as she told “stories of Missouri, the state for which she was named.” Missouri even helped to care for Mary Ingalls during the illness that caused her blindness.

According to Wilder, Missouri had several siblings and was the only one not married. At last they learned the reason: Missouri’s mother, hoping to keep her daughter home to care for her in her old age, had been working to thwart Missouri’s courtships. Yet, despite her mother’s machinations, Missouri did finally marry and return to Missouri—only to die tragically during childbirth.

That’s Wilder’s memory. The editors of the Pioneer Girl Project read Wilder’s account and asked, as they had before, “What can we verify?”

Census data got us nowhere; there simply was no Missouri Pool listed in Minnesota at the right times. However, Nancy Tystad Koupal’s close reading of the Redwood Gazette for the years 1876–1879 turned up a Thomas Pool, who lived in Walnut Grove, Redwood County, Minnesota, “with his wife and daughter.”  Armed with this information, we went back to the census: was there ever, anywhere in the United States, a Thomas Pool with a daughter Missouri? There was—and moreover, there was plenty of information to confirm that his family was the one Wilder remembered and to confirm that Thomas Pool and his wife Annie had moved to nearby Brown County, Minnesota, in 1880. But—now here’s the thing—in 1880, Missouri Pool is gone. She’s enumerated with her parents in 1870, but by 1880, she was either married, dead, or both. With no married name, it was impossible to track her beyond that point (Missouri was a more common first name than you might think). So there the matter rested. “There is no further trace of her,” was the conclusion in Pioneer Girl: The Annotated Autobiography. “She would have been about forty years old” (p. 141n76).

Enter Vincent and Dawn Irlbeck.

These residents of Willow Lake Township in Redwood County read this annotation and recognized a familiar local name. They let us know that Missouri Evans, née Pool, was buried on a nearby farm. When we contacted them to follow up, they even went out and took some pictures of the grave marker for us. As you can see, Missouri Evans died in early 1881 at the age of forty—about the right age for our Missouri Pool. Was it the same woman?

Photograph taken and provided by Vincent and Dawn Irlbeck

Photograph taken and provided by Vincent and Dawn Irlbeck

Yes, it was. Now that we had her married name, everything fell into place. Missouri Evans’s 1880 census data matched what we would expect to see in Missouri Pool’s. The census data led to marriage records, and soon we had a clearer picture of Wilder’s friend. Missouri Pool married widower Henry Evans on March 14, 1880, in Brown County but she died thirteen months later. No death records are immediately available, but according to the Irlbecks, local tradition says that Missouri, like too many women of the nineteenth century, died in childbirth. Clearly, she did not return to her name state of Missouri, as Wilder believed, but had stayed nearby in Minnesota. By the time of her death, however, the Ingalls family themselves had moved on—to Dakota Territory and the Hard Winter.

Incidentally, two of Henry Evans’s other wives are also buried in this private cemetery: Anna, who died February 27, 1880 (we know, right?!), and Amelia, who died March 29, 1884. The women of Minnesota must have breathed a collective sigh of relief when the multiple widower packed up and moved to Canada—taking one final wife with him.

Jennifer McIntyre & Rodger Hartley

We thank Vincent and Dawn Irlbeck for contacting the South Dakota Historical Society Press with information on Missouri Pool and for taking the pictures of the Evanses’ gravesites.

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Photographs taken and provided by Vincent and Dawn Irlbeck