A Mother/Daughter Story

I have been a fan of Laura Ingalls Wilder since I was a little girl. Like many, I received my first copy of Little House on the Prairie when I was five or six from my grandmother, Elsie Mattson, and I continued to receive all of the books, out of order, for varied birthdays and Christmases. Playing “Little House” was a favorite pastime; I lived in northern rural Wisconsin when I was small, and my cousins and I had no shortage of personal experiences to relate to our reading and playing of “Laura’s” story. Grandma Elsie was even friends with the real Laura’s cousins who lived in the area, and I knew early on that the fictional Laura had a real-life counterpart. That knowledge lent realism to my childhood experiences, and that connection fostered my adult interest in women’s history.

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Rose Wilder Lane in 1942. Herbert Hoover Presidential Library and Museum

But as I grew up and uncovered the story of her daughter, Rose Wilder Lane, I discovered that I related much better to her than I did to Wilder. Lane was a “modern woman” who left rural America and built a career as a freelance writer in a time when that just wasn’t done. Lane defied convention and gained notoriety in a period when women were actively encouraged to stay home. She also faced significant hardships—a failed marriage, a lost child, and lifelong struggles with depression—and when it came to public opinion, her “give-a-darn” broke long before her divorce in 1918. Lane educated herself, and she valued intellectual thought. I admired her willingness to speak out for her beliefs. Her tenacity led her to carve out a career that allowed her to support herself, her parents, varied friends, and foster children throughout her life.

In the chapter I wrote for Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder, I focus on Lane’s story, particularly her later career, her interactions with the FBI, and her less-than-subtle political commentary in the Woman’s Day Book of American Needlework. My essay reflects on the fact that this extraordinary person was every inch her mother’s daughter. The values that Wilder articulates in Pioneer Girl and her early journalistic writings clearly appear as a theme in Lane’s work and personal choices.

Rose Wilder Lane was not perfect; she made some poor choices that put her at odds with her mother and, later, with her mother’s fan base. Laura Ingalls Wilder was not perfect either, but the lessons each woman’s story holds for the contemporary reader remain valuable to women’s history in the United States.

We can learn a lot from Lane’s story.

Amy Mattson Lauters, contributor to Pioneer Girl Perspectives

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Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder edited by Nancy Tystad Koupal will be available to readers on 18 May 2017. For information about all the contributors, please visit our Contributors page.

Pioneer Girl Perspectives Update

Earlier, the Pioneer Girl Project announced that Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder would be coming out in 2017, and it’s on its way—set your calendars for May 18!

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Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder takes a serious look at Wilder’s working life and at circumstances that developed her points of view. Along the way, authors William T. Anderson, Caroline Fraser, Michael Patrick Hearn, Elizabeth Jameson, Sallie Ketcham, Amy Mattson Lauters, John E. Miller, Paula M. Nelson, and Ann Romines explore the relationship between Wilder and her daughter, Rose Wilder Lane, as well as their path to the Little House novels. Editor Nancy Tystad Koupal also includes an interview with Little House Heritage Trust representative Noel Silverman, who has worked with Wilder’s works for over forty-five years, and annotates Wilder’s 1937 speech about the Little House series given at the Detroit book fair.

This rich source book from these Wilder scholars from across North America will also explore, among other topics, the interplay of folklore in the Little House novels, women’s place on the American frontier, Rose Wilder Lane’s writing career, the strange episode of the Benders in Kansas, Wilder’s midwestern identity, and society’s ideas of childhood.

Continue to follow the Pioneer Girl Project website for more updates.