Buffalo Blankets and Heated Seats

I woke to single-digit temperatures and negative wind chills the other day. It wasn’t the first day of cold, nor will it be the last for this winter. It’s only December, which has always been a busy travel time for me, and keeping an eye out for snowstorms occupies much of my travel plans. My little family has crisscrossed the frozen Midwest dozens of times. Tied for our most harrowing journeys are (1) getting caught in a South Dakota snowstorm that forced us to find shelter at a ranch house and (2) driving from the Upper Peninsula of Michigan across the Mackinac Bridge less than a half hour before it was closed due to high winds and snow. Both of these trips happened around New Year’s, and both were made in the little rusted-out two-wheel-drive Pontiac-Grand-Am-that-could.

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Cutter in Cedar Creek, Dakota Territory. South Dakota State Historical Society

The Grand Am had a little more horsepower than Almanzo Wilder’s cutter had when he and Laura Ingalls were caught in the horse-drawn vehicle as a snowstorm roared across the frozen plains of eastern Dakota Territory (Pioneer Girl, pp. 264–66). Even though the Grand Am’s heater worked (occasionally), I did think about finding a buffalo blanket for the emergency bag that we re-packed each winter.

In thinking about this post, I wondered what the difference was between a cutter and a sleigh. Thanks to the Internet, it did not take me long to find out that largely it is a question of size.1 Cutters are a type of sleigh. Generally, sleighs accommodated larger groups, while cutters were sufficient for two people. Cutters were usually used for courting, as Wilder recalled in These Happy Golden Years in the chapter titled “Jingle Bells” (pp. 89–94). A racing cutter was likely the inspiration for James Pierport’s 1857 tune “Jingle Bells.” 2

Re-reading Wilder’s dangerous journey through temperatures dipping 45 degrees below zero, I’m thankful for a warm apartment and for finally having a four-wheel drive vehicle. Throughout the afternoon as I wrote of cutters and sleighs, the temperature warmed to the teens and low twenties, but I know another winter is upon us. If the last five winters are any indication, I’ll soon be driving in the dark, with wind-chills somewhere around negative thirty or forty and fifty-mile-per-hour winds whipping my vehicle back and forth. In that moment, I know I will be thankful for heated seats.

Jacob Jurss

 


1. Kimberly Turtenwald, “The Difference between a Cutter & a Sleigh,” Gone Outdoors, goneoutdoors.com/difference-between-cutter-sleigh-8560748.html; “Sled” and “Cutter: Sleigh,” Encyclopedia Britannica, www.britannica.com.

2. “History: One Horse Open Sleigh,” Equestrian Culture, equestrianculture.com/custom_type/one-horse-open-sleigh. See also Joel Brown, “Jingle Bells’ History Takes Surprising Turn, BU Today, Dec. 8, 2016, www.bu.edu/today/2016/jingle-bells-history/.

The Little Town in the Land of Used-to-Be

A few months ago, a high-school student asked me what I thought Laura Ingalls Wilder’s favorite place was of all the places she had lived as a young person. Of course, a definitive answer to such a question is not really possible when Wilder herself is not around to consult. But, as I told the student, Wilder’s writings do suggest an answer: De Smet, South Dakota.

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De Smet, 1883. Laura Ingalls Wilder Memorial Society

Another South Dakota author, Elizabeth Mills Irwin, captured what I think De Smet meant to Wilder. In her book, Home of the Heart: Mound City Stories (2000), Irwin wrote: “For everyone, at least for the lucky, there is a home, a secret place to which one returns, in memory and in dreams, for solace when today is a wrong day, when doubt clouds the future, when wherever we are now, we need something that is not there. It is our heart’s home” (p. 13). De Smet was Wilder’s heart’s home and possibly Almanzo’s as well.

In 1948, Wilder wrote to a friend: “Almanzo and I were speaking of De Smet the other day, and of how we were still homesick for Dakota” (quoted in A Little House Sampler, ed. William Anderson, p. 231). The Wilders had returned to South Dakota three times in the 1930s, but she still wrote of her yearning for the prairies and what she called “the Land of Used-to-Be” (ibid., p. 227). Those faraway days were now mostly a memory of her youth, as she recalled in her poem “Little Town of Memory”:

Oh little town of memory
I hear your voices singing
I see your faces bright and gay
I hear your sleighbells ringing—

Those three trips home had taught her what so many of us have learned about going home, and she concluded her poem with these lines:

It all has gone beyond recall
Its music fades away. (A Little House Reader, ed. Anderson, p. 166)

And, yet, it did not fade away, neither for Wilder nor for her millions of readers. In writing By the Shores of Silver Lake, The Long Winter, Little Town on the Prairie, and These Happy Golden Years, Wilder visited her heart’s home of De Smet, South Dakota, “in memory and in dreams,” and preserved it for all of us.

Nancy Tystad Koupal

I am indebted to Paula Nelson for the gift of Elizabeth Mills Irwin’s book.

Prairie Fires

Congratulations to Caroline Fraser on her new book Prairie Fires: The American Dreams of Laura Ingalls Wilder, which received a great review from historian Patricia Nelson Limerick.

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Earlier this year, Fraser contributed to the South Dakota Historical Society Press book Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder with her essay “The Strange Case of the Bloody Benders: Laura Ingalls Wilder, Rose Wilder Lane, and Yellow Journalism.” In Prairie Fires, Fraser looks further at the questions she brought up in this essay and at much more.

One-hundred and fifty years after Wilder’s birth, the Little House series continues to shape ideas of the historical United States—its settlement, its literature, and the roles of women, among other things. Laura Ingalls Wilder is and always will be an important voice of American heritage.

—Jennifer McIntyre