Wilder’s Chickens

Laura Ingalls Wilder lived in the American West, witnessed the building of a railroad, fought against hoards of grasshoppers, and started her professional career as an author by writing about chickens. Yes, chickens.

It isn’t common knowledge, but those who have read the introduction to Pioneer Girl: The Annotated Autobiography know that before her time as a famous children’s novelist, Wilder was a writer for the Missouri Ruralist, and before the Ruralist, she was a poultry columnist for the St. Louis Star Farmer. Renowned for getting eggs in winter when no one else could, Mrs. A. J. Wilder shared her knowledge about how to raise spectacular egg-laying hens and thus started her writing career. The woman who defined an era did indeed have a humble beginning, but, you have to start somewhere. Although raising hens may seem quaint in the modern age, a backyard chicken and urban farming movement is on the rise in the United States. So you could say that, even now, whether through the telling of her coming-of-age story or by sharing her strategies for getting the best eggs, Wilder continues to be relevant to our times.

Wilder’s favorite breed of chicken was the Brown Leghorn.

Wilder’s favorite breed of chicken was the Brown Leghorn.

Wilder’s motto in raising hens was “to get results with as little expenditure of time and acreage as possible.” She echoes my own experience in raising backyard hens—that a well-fed hen is a happy hen, and when you skimp on the feed, you get subpar eggs. In an era where one did not simply buy chicken feed down at the country store, her article “Economy in Egg Production” from the April 5, 1915, issue of the Missouri Ruralist shares her detailed knowledge about the types of crops women should grow to produce vibrant plumage and hefty eggs. Wilder knew her chickens, and while I have never bundled wheat or oats for my hens, I can say that Wilder is spot on in her advice that “it is much better for hens to let them do their own threshing.” The backyard chicken-raiser knows that you don’t get in the way of a chicken with oats or fresh veggie scraps from the kitchen—you are liable to get a claw or beak to the hand as they try to consume those wriggly worms—your fingers—that are messing with their food!

I also share Wilder’s frustration in her article “On Chickens and Hawks” from June 1917:

“‘In the spring a young man’s fancy lightly turns to thoughts of love,’ sings the poet, but in the spring the fancy of the hawk surely turns to spring chickens. Day after day, he dines on the plumpest and fairest of the flock. I may spend half the day watching and never catch a glimpse of him, then the moment my back is turned—swoop!—and he is gone with a chicken. I should like to sentence the ex-governor who vetoed the state bounty on hawks to make his living raising chickens in the hills.”

I have spent countless days watching the skies and endless hours nursing an attacked hen back to health, so I know the frustration of dealing with aerial predators. I am not sure that it calls for an attack on hawks, as Wilder does, but I agree with her concluding sentiments: “I know it is said that hawks are a benefit to the farmers because they catch field mice and other pests, but I am sure they would not look for a mouse if there were a flock of chickens near by.”

It would be pleasant to sit for an hour or two with Wilder on her front porch listening to her wisdom on chickens as she plots her revenge on the “ex-governor.” However, as I work on plans for my new hens, I will simply have to settle for reading more articles by Mrs. A. J. Wilder.

Jennifer McIntyre

For more of Laura Ingalls Wilder’s Missouri Ruralist columns, check out two volumes edited by Stephen W. Hines, Laura Ingalls Wilder, Farm Journalist: Writings from the Ozarks (Missouri: University of Missouri Press, 2008) and Little House in the Ozarks: The Rediscovered Writings (New York: Galahad Books, 2000)

“Your true ‘enemy’ Laura Remington”

Readers of Pioneer Girl: The Annotated Autobiography continue to share interesting information with the Pioneer Girl Project staff. A good example is Nami Hattori, who follows our blog from Canada.  She recently wrote to us that she had found some additional information about Laura Remington, whom Wilder mentioned twice in her autobiography. On page 243 of Pioneer Girl, Laura Remington is “among the younger girls” at school, and on page 275, Remington is paired with Alfred Ely as a participant in the sleighing parties on De Smet’s main street in the mid-1880s. The annotation about Laura Remington reads: “The 1880 census includes one family named Remington in Kingsbury County:  Francis P. Remington and his wife, Ellen. They had one daughter named Grace—not Laura­­—and she would have been about six years old in the fall of 1881” (p. 244n46).

Nami Hattori, though, has discovered another source that sheds a little more light on the elusive Laura Remington. A girl by that name not only lived in De Smet in the 1880s, Hattori pointed out, but she also “wrote a message on Wilder’s autograph book,” which the “LIW library in Mansfield owns.” Hattori shared with us and our readers the photograph that she took of Wilder’s autograph book in the 1990s. It contains this handwritten line, “Your true ‘enemy’ Laura Remington.”

Laura Ingall's autograph album, photographed by Nami Hattori

Laura Ingalls’s autograph album, photographed by Nami Hattori

While Remington did not date her entry, Hattori noted that many others who signed the book, including Charles Ingalls, Cap Garland, and Ida Brown, had dated theirs from 1882 to 1885. “Judging from her handwriting,” Hattori wrote, Laura Remington “was not a little girl at the time.” Because the signatures appear to have been penned after 1882, Hattori continued, “we can speculate that she might have moved to Dakota after 1880,” which would explain why she is not listed on the census.

With Hattori’s speculation in mind and the album as proof that there was a Laura Remington in the area, we went back to the census data from a different angle and found a second candidate for the family: Laura Remington could be the daughter of William and Helen M. Remington, who moved to Dakota Territory from Wisconsin sometime before June 1883. Their daughter Laura would still have been six years younger than Wilder, closer in age to Alfred Ely with whom Remington went sleighing. However, because the state census records for Kingsbury County are missing, we still cannot be absolutely certain that this Laura Remington is the one Wilder knew. As with so many of the people mentioned briefly in Pioneer Girl, little can be uncovered about them all these years later. Even with the wonderful autograph album, we do not know much more about Laura Remington.

But the album itself is fascinating. It is a resource for modern researchers, and it apparently served Wilder herself as a source of information. “Ida Brown’s verse on the real autograph album is the same as the one in Little Town on the Prairie,” Hattori wrote. “It tells that Wilder used this album when she wrote LTOP.” We are grateful to Hattori for bringing this treasure to our attention.

Nancy Tystad Koupal

Where are the pasques?

I had the enjoyable task of researching and writing several of the annotations on flora and fauna that appear in Pioneer Girl: The Annotated Autobiography. As a young girl, Wilder was outdoorsy, observing everything from crabs to coyotes to the wide variety of plants that grew on the prairies of eastern Dakota Territory while she lived there. In addition to knowing the common names of many of the area’s various grasses, Wilder mentioned numerous prairie flowers, including the “may flowers, thimble flowers, wild sweet Williams, squaw pinks, buffalo beans and wild sunflowers, each blooming in its season” (p. 234) around her family’s homestead near De Smet. Her curiosity about the natural world is one reason that I find a certain omission so curious.

Wilder’s Pioneer Girl never mentions the blossom that is one of the first signs of spring and which, in 1903, became the official state flower of South Dakota. The fuzzy buds of the American pasqueflower (Anemone patens/Pulsatilla patens) typically emerge from the ground in March or April, opening into two-toned purple blossoms with bold yellow centers. Still fairly common, pasqueflowers must have been abundant in Wilder’s day. Why didn’t she mention them?

A little research leads me to some speculation. First, botanist Dave Ode writes in his book Dakota Flora: A Seasonal Sampler (South Dakota State Historical Society Press, 2006) that pasques prefer “gravelly hills, buttes, and river bluffs” (p. 13). The Ingalls homestead, situated in a fairly low spot next to the Big Slough, might not have had just the right soil, drainage, or exposure for the little plants to establish themselves. Second, the blooms can be delicate and fleeting, lasting as little as a couple of days if a spring blizzard buries them or if hot, dry winds shrivel them (both scenarios are possible during a South Dakota spring). They can also be extremely localized, with numerous plants clustered on a single knob or hillside and none occurring on the next one over.

An image of the pasqueflower image found in Dakota Flora. Photograph taken by Jeanne Ode.

Photograph of a pasqueflower in bloom taken by Jeanne Ode

Finally, pasqueflowers don’t always come up in the spring. In drought years, they may lie beneath the surface for months or until another year, when enough rain falls to make them emerge. On the Ode “homestead” east of Pierre, the north side of a bluff is dotted with some fifty markers pegging the locations of pasqueflower plants. Every spring, we climb the hill to take inventory. This year, after a winter with little snow and a spring with no rain, not a single pasque has popped up. Maybe Wilder never walked past just the right spot at just the right time.

Or, the explanation might be simpler. Pasqueflowers are sometimes called prairie crocus for their resemblance to the domestic crocus, goslinweed for the fuzzy buds that resemble a gosling’s down, and prairie smoke for the plumes that appear once the plant is done blooming. Recently, I also found some sources that list “May Day flower” or “May flower” as an alternate name for the pasque. In Pioneer Girl: The Annotated Autobiography, we speculated that Wilder’s may flower may represent the meadow anemone (p. 235). We can’t know for sure, but perhaps those in and around De Smet during the 1880s knew the pasque as the may flower.

Jeanne Kilen Ode